Chapter FourSocial and Economic Characteristics of MidwivesThe life histories of Juana and Maria suggest answers to two general questions about the recruitment of midwives. From a panel of potential midwives (those reputed to be born with the call) only a few actualize their destinies. The process of selection is not random. What are the salient characteristics of those women who make the grade? Those women like Juana who become successful sacred professionals share characteristics that relate to family background, parental expectation, economic situation, and personal character.>/font> |
"El Parto," childbirth. Painting by Matías González Chavajay, 2006. Collection: Arte Maya Tz'utujil.Family Background
Although inheritance is not explicitly acknowledged as an avenue to the role, most midwives come from families in which the mother and/or
grandmother are midwives or the father is a shaman. In Juana's case her father was a shaman and her mother herself had the divine calling although she
did not practice. Identification of a future midwife is made at her birth by the midwife who delivers her. The identifying symbol is a part of the caul
attached to the head. Such identification is more likely to occur, to be taken seriously, and to be acted upon when the parents are themselves sacred
professionals. Like Juana, children of ritual specialists are exposed to the private rituals and prayers of midwives and shamans. These children's
early experiences are framed in the esoteric cultural symbols available within the particular family culture of the midwife or shaman. Parental Expectation
As in Juana's case, mothers of midwives are strongly motivated to have a daughter become a midwife. If the mother is a midwife herself
she serves as role model. In any case the mother's motivation is implemented through the close bond that is characteristic of the mother-daughter
relationship in such instances. The mother's own affect and subliminal cues form the basis for implicit communication as the girl is growing up.
The prophecy is fulfilled by the predictive behavior of the parents, particularly of the mother. Thus Juana was the subject of mysterious awe-inspiring
rituals; her mystical experiences were encouraged. Her mother's dire warnings and punishment gave heightened significance and a sense of fearful
wonder to her early dreams. These became templates for the mystical dreams during her divine illness, her identity crisis. Economic Situation
In San Pedro inheritance of land and wealth is theoretically bilateral but residence of young couples is predominantly virilocal,
although there is an increasing tendency toward neolocal residence at an earlier stage of marriage. Michaelson and Goldschmidt (1971) in their
crosscultural study of female roles and male dominance among peasants find that where inheritance is bilateral, the increased economic power of
women tends to create a machismo syndrome where male authoritarian roles are expected and males feel threatened. This seems to fit the case of
San Pedro. However, although women's economic power often remains a theory rather than a fact, male dominance is very important. Midwives like
Juana are generally women who not only have a claim to economic means but have the means, in the form of houses or other property. Lacking the
tangible means, they may have instead the moral and potential economic support of parents as a base from which to assert an independent stand
vis-a-vis their husbands. All husbands balk at the prospect of losing some control over their wives, of giving up a measure of convenience,
authority, and manliness in the name of community welfare. To be a successful midwife requires a husband who accommodates to the role of husband
of midwife. Some men in this role prove their manliness to themselves and others by discreet sexual liaisons, which their celibate wives tend to
overlook. The marriages of midwives are characteristically more complementary and less asymmetrical than most other Pedrano marriages (L. Paul
1974:289) because of the midwife's higher level of economic independence, the aura of her sacred office, and the sexual independence that she enjoys. |
"Parto," childbirth. Painting by Mariano González Chavajay, 1993.Collection: Amit May.Personal Character
"Parto," childbirth. Painting by Mariano González Chavajay, 1993. As stated at the outset, the midwife must also overcome her own inner
resistance, a combination of fear, shame, and accustomed comfortable passivity. The woman typically has resources within herself to draw upon: an empathy
based on her own experiences in giving birth, the suppressed knowledge of her own supernatural destiny, the wish to transcend her own passivity and enjoy
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